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The Flight Log provides an in-depth look at AIRWOLF Drones' work in aerial cinematography. Featuring behind-the-scenes breakdowns, client highlights, press features, and technical insights, it showcases the precision and expertise that go into every job.

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Updated: Apr 20


Winco's Helicopter

When it comes to high-stakes aerial cinematography, safety and coordination are everything. Our recent shoot for Boot Barn Work, documenting Winco's linemen installing power-lines and heavy equipment in Albuquerque, was a perfect example of how preparation and communication make all the difference.



Drone pilot, heli pilot and aerial dp standing in front of Winco's helicopter
Aerial Dp Rob Watt (Left) Winco Heli Pilot Jason Lowry (Center) Drone Pilot Wolfgang Weber (Right)

Months of Pre-Production: Safety First

Filming an operation that involves both a manned helicopter and a drone requires intense planning, coordination, and strict adherence to safety protocols. Before we even put a drone in the sky, we spent a month and a half in pre-production, working closely with Winco, the helicopter pilot, and multiple safety teams to ensure everything ran smoothly.

This process involved detailed flight path planning, risk assessments, and securing the necessary approvals to operate both aerial systems safely in the same airspace. We conducted multiple Zoom meetings and on-site discussions, mapping out exact flight zones, emergency procedures, and real-time communication protocols. Since flying a drone near a helicopter presents significant challenges such as rotor wash turbulence, limited pilot visibility, and strict FAA regulation every movement had to be precisely coordinated.

By the time we arrived on set, every team member knew their role, and we had a clear flight plan in place. This level of preparation allowed us to capture aerial shots of the linemen in action without compromising safety or efficiency allowing them to perform their jobs.


Team Safety meeting, winco, boot barn work, AIRWOLF Drones
Pre-Flight Safety Meeting Meeting, Boot Barn Work, Winco & AIRWOLF Drones Teams

Pre-Flight Safety Meeting Meeting, Boot Barn Work, Winco & AIRWOLF Drones Teams
Pre-Flight Safety Meeting Meeting, Boot Barn Work, Winco & AIRWOLF Drones Teams

How We Filmed Linemen Air-to-Air with DJI Inspire 3 & Helicopter


Without this level of preparation, a shoot like this wouldn’t be possible. Safety is always the top priority, especially when sharing airspace with manned aircraft.


Winco's Aerial Linemen Working
Winco's Linemen at work

The Right Gear for the Job

Dji Inspire 3 Drone
Dji Inspire 3 and crew

Dji Inspire 3 hovering
Dji Inspire 3

For this project, we relied almost exclusively on the DJI Inspire 3, paired with a 75mm lens to maintain a safe distance while capturing high-quality shots.

  • The 75mm lens allowed us to capture tight, cinematic shots from a safe distance, ensuring we never interfered with the helicopter’s operations.

  • This also delivered stunning telephoto compression, making the linemen and their work stand out dynamically in the frame.

Another key tool in our setup was a drone beacon, which provided the helicopter pilot with a visual reference of our position in the air. This extra layer of visibility made it much easier to maintain safe distances.





Constant Radio Communication with the Pilot


Rob Watt And Wolfgang Weber On Location
Aerial Dp Rob Watt (Left) Drone Pilot Wolfgang Weber (Right)

In a high-risk aerial shoot like this, real-time communication is crucial. We maintained constant radio contact with the helicopter pilot, ensuring both aircraft were aware of each other’s movements at all times.

  • Real-time positioning updates ensured clear awareness of each aircraft's location, altitude, and flight path.

  • Coordinated movements allowed us to adjust whenever the helicopter needed to reposition.

  • Instant safety adjustments were made if conditions changed or if flight plans needed modification.

This direct line of communication was essential to preventing mid-air conflicts and ensuring a safe, successful shoot.





The Dangers of Flying Near Manned Aircraft

Wolfgang Weber hand launching the Dji Inspire 3
Drone Pilot Wolfgang Weber

Operating drones near helicopters isn’t just challenging, it’s one of the most high-risk situations a drone pilot can face. Even with careful planning, there are inherent dangers:



  • Rotor wash: The helicopter’s downwash creates unpredictable air currents that can destabilize drones.

  • Limited pilot visibility: Even with a beacon, helicopters have blind spots, making real-time communication critical.

  • Zero margin for error: Unlike a typical drone shoot, where minor course corrections are routine, even the smallest mistake can have serious consequences.










A Successful Shoot & A Deeper Appreciation



At the end of the day, this shoot wasn’t just about getting cinematic shots; it was about respecting the skill and dedication of these linemen. Watching them install massive power lines while suspended from a helicopter was nothing short of incredible.


Capturing Linemen in Action: How We Filmed Linemen Air-to-Air with DJI Inspire 3 & Helicopter required meticulous planning, constant radio communication, and the right drone gear to ensure both safety and precision. Through careful pre-production and coordination with the helicopter crew, we were able to safely capture the raw intensity of their work while maintaining strict safety protocols.


Wolfgang Weber and Alex Esparaza discussing the drone shots
Drone Pilot Wolfgang Weber (Left) Director Alex Esparza (Right)

Huge thanks to Boot Barn Work, Winco, and the entire crew who made this possible. Stay tuned for more behind-the-scenes content from this shoot. Be sure to follow us on Instagram.


CHECK OUT THE FINISHED VIDEO HERE!



Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 

Three seasons ago, we received an exciting opportunity to drone Farmer Wants a Wife, the hit reality TV show on FOX and Hulu. Since then, we've traveled across multiple states, capturing aerial footage that brings the beauty of each location to life and helps tell the story of romance on the farm. From golden-hour beauty shots to sweeping transitions, our drone work has played a key role in setting the scene for love to blossom. Capturing Love from Above: 3 Seasons of Droning Farmer Wants a Wife has been an incredible journey, allowing us to showcase the rural charm and heartfelt connections that define the show. After three seasons of droning Farmer Wants a Wife, we've come to appreciate the magic of seeing these love stories unfold from above, proving that when it comes to aerial cinematography, there's nothing quite like capturing love from above.




Season 1: Where It All Began – Oklahoma

Farmer Wants A Wife Season 1 Team yellow in Oklahoma celebrating Halloween
Season 1 Team Yellow

The journey with Farmer Wants a Wife started in Oklahoma, where vast farmland, rolling plains, and golden sunsets provided the perfect cinematic backdrop for the show. At the time, we had no idea this would turn into a recurring gig, but by the end of the season, we knew we had found a great place in reality TV world as drone operators. Our job was simple, capture the most beautiful shots possible, giving editors seamless transitions and stunning visuals to weave into the storytelling.









Season 2: Expanding Horizons Across Four States

With the success of the first season, we were brought back for Season 2, which had us traveling to Iowa, Colorado, Georgia, and Florida. Each state presented its own unique landscape challenges. Iowa had endless fields and open skies, Colorado brought dramatic mountainous backdrops, Georgia offered lush green farmland, and Florida introduced wetlands and coastal scenery. These shifts in terrain and weather conditions kept us on our toes, constantly adjusting flight techniques to capture the best possible footage.


Our Drone Operators!


Season 3: Capturing Love in Texas and Missouri

For Season 3, our travels took us to Texas and Missouri. Each state offered its own unique visuals Texas, with its sprawling ranches and vast open spaces, and Missouri, with its rolling hills and picturesque countryside. By this point, we had established a strong workflow with the production team, making every flight more efficient and every shot more intentional.



Coordinating with Multiple Crews

One of the biggest challenges (and most rewarding parts) of working on Farmer Wants a Wife is coordinating with multiple production teams. This isn’t a small operation, there are multiple camera crews, audio teams, producers, and directors, all working together to capture different aspects of the show at the same time. With so many moving parts, communication is key.

While traditional cameras follow the farmers and contestants up close, our drone work provides establishing shots, intro and outros with our host and dynamic scene transitions. Sometimes, we're capturing landscapes to help set the scene; other times, we're flying alongside the host or filming dramatic overhead shots during key moments. Our role is to stay flexible, knowing that schedules can shift, and scenes can change at a moment’s notice.


Working with the Hosts

Seasons 1 and 2 host Jennifer Nettles
Jennifer Nettles

Throughout the seasons, we've had the pleasure of working closely with the show’s hosts. In Seasons 1 and 2, Jennifer Nettles, a talented country singer and actress, brought warmth and authenticity to the show. Her understanding of rural life added depth to her interactions, and capturing aerial shots of her engaging with the farmers and contestants was a highlight of our work.









Season 3 host Kimberly Williams-Paisley
Kimberly Williams-Paisley

In Season 3, Kimberly Williams-Paisley took over as host, bringing her own unique charm and energy. Known for her acting career and genuine personality, Kimberly’s enthusiasm was infectious. Coordinating drone shots around her segments required precision and collaboration, ensuring that her presence was seamlessly integrated into the show’s visual narrative.












How Our Drone Work Enhances the Show

In reality television, aerial shots serve as more than just beautiful scenery, they provide essential in-and-out points for the editors. The wide establishing shots we capture help transition between scenes and tie different storylines together. Our footage isn’t just filler; it’s an essential part of the show’s visual storytelling.


Some of our shots that made it to air for Season 2


The Equipment: Why We Fly the Mavic 3 Cine

To get the best shots possible, we rely heavily on my Mavic 3 Cine, a powerhouse drone that shoots in Apple ProRes at 5.1K resolution. The image quality is broadcast-ready, allowing editors to cut between our aerial shots and ground-based footage without a drop in clarity. Its compact size makes it easy to travel with, which is crucial when bouncing between different states over a 10-week shoot.



The Realities of Traveling for TV Work

Spending weeks on the road is one of the biggest challenges of working in reality TV. Each shoot can last up to 10 weeks, and during that time, we're constantly moving between locations, dealing with unpredictable weather, adapting to different time zones, and making sure our gear stays in top condition, even dealing with the airlines. But the tradeoff? We get to see parts of the country. that we'd never would have visited otherwise. Every new state offers a fresh perspective and another opportunity to capture something incredible.


Building Strong Client Relationships


Dp Rick Rojas and Drone Operator Wolfgang Weber about to film some airboats down in Florida for Farmer Wants A Wife
DP Rick Rojas (Left) Drone Operator Wolfgang Weber (Right)

One of the best parts of returning for multiple seasons is building strong working relationships with the production team. Over time, the producers and editors have come to trust our work, knowing we can deliver the footage they need without having to micromanage. The familiarity makes everything run smoother, when you work with the same team for years, you develop a shorthand that makes collaboration effortless.




Looking Ahead with Capturing Love from Above: 3 Seasons of Droning Farmer Wants a Wife

Each season of Farmer Wants a Wife has been an adventure, and we're grateful for the opportunity to keep doing what we love, flying drones and capturing the beauty of America’s heartland. From golden-hour beauty shots to sweeping transitions between scenes, our work plays a small but important role in making the show come to life. After three seasons of droning Farmer Wants a Wife, we've seen love stories unfold from a breathtaking perspective, showcasing the romance and rural charm of the series in a way only aerial cinematography can.

As we prepare for more projects, we're excited to see where our drone work takes us next. One thing is certain, there’s nothing quite like capturing love from above.


SEASON 3 TRAILER - PREMIERS MARCH 20TH ON FOX NEXT DAY HULU


SEASON 1 TRAILER

Farmer Wants A Wife Season 1 Trailer

SEASON 2 TRAILER

Farmer Wants A Wife Season 2 Trailer

Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 

Updated: Apr 20


Mag Bay Yacht's 38 Center Console
Mag Bay Yachts 38ft Center Console

DJI Inspire 3 Meets Mag Bay Yachts: Capturing Luxury on the Water and Redefining Aerial Cinematography


Mag Bay Yacht's 38cc being transported into the marina dock in jupiter Florida
Mag Bay Yacht's 38cc being taken out of a boathouse in Jupiter Florida.

Since 2020, we’ve had the incredible opportunity to provide drone cinematography for Mag Bay Yachts, capturing the sleek elegance and raw power of their vessels, including the 42ft yacht, 33CC, 38CC, and 43CC models. Working alongside Black Sail Media, we’ve been able to produce stunning aerial footage that showcases these luxury boats in motion, carving through deep blue waters in some of the most beautiful locations imaginable. From the crystal-clear shallows of Bimini to the rugged coastline of the West Coast, every shoot has been a thrilling experience, pushing the limits of aerial cinematography to capture the speed, precision, and craftsmanship of each vessel. Whether flying the Inspire 2 or Inspire 3, we’ve tailored our shots to highlight the dynamic performance of these boats, from breathtaking high-speed tracking shots to smooth, cinematic reveals at sunrise and sunset. The combination of expert piloting, top-tier camera technology, and a deep appreciation for the art of storytelling has allowed us to create visuals that not only showcase the boats but also evoke the exhilarating lifestyle they represent.


The Challenges of Flying Over Water

Dji Inspire 3 Pilot View/POV
Dji Inspire 3 - Pilot View

Filming yachts from the air comes with its own set of challenges, and flying drones over open water adds an extra level of intensity. Unlike shooting on land, there's no solid ground for takeoffs or landings, GPS signals can be inconsistent, and environmental factors, like wind, sea spray, and unpredictable boat movement, can make every flight a high-stakes operation. The margin for error is slim when we’re hovering over the ocean with an expensive drone, knowing that one wrong move could mean losing a drone to the depths.

For years, we relied on the Inspire 2, which performed well in these conditions, but upgrading to the Inspire 3 has brought a mix of improvements and unexpected issues.




Drone Pilot Wolfgang Weber catching the Dji Inspire 3
Drone Pilot: Wolfgang Weber

The Inspire 3: A Game Changer… but Not Without Its Faults

The Inspire 3 introduced several improvements that make capturing yachts easier, including better low-light performance, integrated dynamic home point into the RC,a full-frame 8K sensor, and stronger wind resistance, all of which help when tracking high-speed boats over open water. The footage is undeniably more cinematic, with better color depth and clarity, especially during golden hour shoots when the light is perfect.

However, the Inspire 3 has not been flawless. One of the biggest concerns with this drone is the possibility of an Electronic Speed Controller (ESC) failure, which has been reported by other operators. Knowing that the ESC could fail mid-flight adds an extra layer of stress to every mission, especially when flying over deep water with no margin for error. Fortunately, we have never experienced an ESC failure, but it’s something we remain highly aware of every time we launch. Also the ability to NOT take off while on a boat due to the "magnetic interference" is another issue at times. However, proper pre-flight checks, careful monitoring of the drone's performance, and always having an emergency recovery plan in place are crucial when flying in these high-risk environments.


Working with Black Sail Media

When Black Sail Media first reached out about filming Mag Bay Yachts, neither of us knew what to expect or what we were getting ourselves into sorta. That first project turned into an epic adventure, pushing our creative and technical limits. From high-speed running shots over open water in the middle of the Atlantic to golden-hour shots, it was clear from day one that this was the start of something great.


A great production comes down to collaboration, and working with Wes of Black Sail Media has been a pretty solid experience. His attention to detail and commitment to high-quality visuals match our own, allowing us to push the boundaries of drone cinematography. The synergy between our us has led to dynamic, visually striking shots that showcase Mag Bay’s vessels in their best light. What began as a single project has evolved into an ongoing creative partnership, proving that when the right teams come together, the results speak for themselves.

Wes Neil DeSoto and Wolfgang Weber
Working with Black Sail Media (Hand Catching The Dji Inspire 2)

Casing Yachts in Beautiful Locations

One of the best parts of working with Mag Bay Yachts is the travel. Shooting their yachts has taken us to some of the most stunning locations, from the turquoise waters of the Bahamas to the iconic coastlines of Jupiter, Florida, and beyond.


Some of the most memorable trips have included:

  • Cruising to the Bahamas – Exploring Chub Cay and Bimini, where crystal-clear waters and white sandy beaches made for breathtaking aerial shots.

May Bay Yachts 42 in Chub Cay (Video)

Shooting in Jupiter, Florida – A location famous for its pristine beaches and deep blue waters, creating the perfect backdrop for showcasing Mag Bay’s vessels.

May Bay Yachts in Jupiter Florida
May Bay Yachts in Jupiter Florida

The West Coast, California – Capturing the boats along dramatic coastlines with waves crashing beneath, adding an extra element of motion and power to the visuals.


Spending the day on a beautiful peice of engineering, filming golden-hour shots, it's truly an experience like no other. Every shoot we're on is a mix of high-energy action and peaceful appreciation of the scenery, making it one of the most rewarding parts of our job.


Our Work!



Looking Ahead

Four years into working with Mag Bay Yachts, we’re still excited every time we launch a drone over the water. Every project brings new challenges, new locations, and new ways to push the limits of aerial cinematography. Whether it’s flying inches above the surface to capture the perfect wake shot or soaring high above to get a sweeping perspective of a yacht cutting through the ocean, there’s nothing quite like the thrill of filming these incredible machines in their element. DJI Inspire 3 Meets Mag Bay Yachts: Capturing Luxury on the Water, with the Inspire 3, a strong creative partnership with Black Sail Media, and Mag Bay Yachts taking us to breathtaking destinations, we can’t wait to see where the next adventure leads, hopefully with fewer technical failures along the way.


CHECK OUT MORE OF OUR WORK BELOW!

Running with Mag Bay's 42ft

Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 
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