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The Flight Log provides an in-depth look at AIRWOLF Drones' work in aerial cinematography. Featuring behind-the-scenes breakdowns, client highlights, press features, and technical insights, it showcases the precision and expertise that go into every job.

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The 2026 Subaru Uncharted EV driving along a winding dirt trail in the golden hills of Santa Rosa at sunset, captured during an adventure campaign shoot.
2026 Subaru Uncharted EV

Earlier this year, we teamed up to help capture a bold new chapter in Subaru’s legacy: the 2026 Subaru Uncharted EV, their first all-electric SUV built to roam far beyond the pavement. With cameras rolling and props spinning, we took flight across Northern California’s redwood forest, filming in one of the most cinematic and wild locations we’ve worked in to date.

This wasn’t just another car shoot, it was a true off-the-grid adventure that brought Subaru’s “electric. unplugged.” ethos to life.


The 2026 Subaru Uncharted EV driving along a winding dirt trail in the golden hills of Santa Rosa at sunset, captured during an adventure campaign shoot.

Filming the 2026 Subaru Uncharted EV in Northern California

The terrain was no joke. We filmed throughout Santa Rosa and the surrounding redwood forest, where the landscape demanded as much from our gear as it did from the vehicle. Twisting dirt trails, misty switchbacks, river rock beds, and sheer drop-offs, all became part of the narrative.

The 2026 Subaru Uncharted EV didn’t just keep up, it owned the terrain. Whether we were flying low through moss-draped tree corridors or soaring up for wide reveals, the vehicle remained the visual anchor: a clean, quiet force carving through untamed land.


How the 2026 Subaru Uncharted EV Handled the Redwood Terrain

Subaru’s new electric SUV is no suburban commuter. With dual-motor AWD, aggressive off-road geometry, and intuitive drive modes, the Uncharted EV performed more like a trailblazer than a prototype.

Its design is clean but rugged, with sharp lines and practical detailing that still feels unmistakably Subaru. Inside, it’s packed with intuitive tech and sustainable materials, but what stood out to us was how gracefully it moved through the wild. You could feel it was purpose-built for the path ahead, gliding over wet logs and gravel grades with total control.

This wasn't a stylized test track. It was real-world terrain, and the EV handled it like it had been there before.


A Director with Vision: Bringing Adventure to the Frame

This campaign was led by director Anthony Dias, whose work thrives in grounded, cinematic environments. His vision was to tell a story that felt both personal and epic, where the car didn’t just appear, it journeyed.

Working with Anthony always feels like shooting a film, not a commercial. Every shot was intentional. Every movement had a rhythm. Whether it was a wide drone push through the morning fog or a tight tracking shot along the edge of a ravine, the creative was about motion, emotion, and immersion.

Our aerial team collaborated closely with him to ensure the drone work enhanced, not interrupted, the flow of the visual story.


The 2026 Subaru Uncharted EV driving along a winding dirt trail in the golden hills of Santa Rosa at sunset, captured during an adventure campaign shoot.

Aerial Gear and Techniques for the 2026 Subaru Uncharted EV Shoot

We brought out the DJI Inspire 3 paired with the X9 8K full-frame camera. With a dual-operator setup, we had the control and precision to match the Uncharted EV’s movements in real time, even through complex trail systems and low-clearance tree lines.

Some shots required threading the drone through tight spaces in the redwoods; others were wide, cinematic pullbacks that revealed the EV alone in vast, wild terrain. Having flown for Subaru before, we knew they’d want scale, motion, and raw beauty, and the Inspire 3 delivered in all conditions.

From pre-dawn to golden hour, we flew in fog, dust, and dense canopy light. It was the kind of environment that forces you to level up with every shot. And we loved it.




Stunt driver Tony Hunt

Working with Precision Driver Tony Hunt

One of the absolute highlights of this shoot was working with Tony Hunt — not just an insanely skilled precision/stunt driver, but truly one of the best guys to have on set. From the minute he pulled up, you could feel the calm confidence of someone who’s been behind the wheel on everything from Ford v Ferrari  to Fast & Furious. But even more than his credits, it was the way he worked with us that stood out.


As drone operators, timing and rhythm are everything. Tony understood that instantly. There were moments when most drivers would have charged ahead, but Tony instinctively held pace — letting the Inspire 3 get into perfect position before powering through a turn or kicking up dust on cue. His awareness of both the car and the camera was next-level.


That kind of collaboration is rare. Tony didn’t just show up to drive, he showed up to help us make something cinematic. And he nailed it.


Rob Watt chatting about aerial cinematography for Subaru Uncharted EV
CLICK THE PHOTO - Rob Watt talks about one of our shots

Telling Subaru’s Next Chapter From the Sky

The 2026 Subaru Uncharted EV is more than a new vehicle. It’s Subaru doubling down on its roots, freedom, function, and a deep respect for the outdoors, while stepping into the future with all-electric power. It’s a call to explore the wild on new terms, without sacrificing capability or soul.

As drone operators and aerial storytellers, our role was to show how far you can go when nothing holds you back, not terrain, not noise, and not a gas tank.

And in the end, that’s what this campaign was really about: uncharted freedom, seen from above.









The all-new 2026 Uncharted EV SUV - Keynote

Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here: Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 
Sony Airpeak S1 drone in flight, built for professional aerial cinematography
Sony Airpeak S1

When Sony announced the Airpeak S1 drone in 2020, there was real excitement in the drone and film world. It was Sony’s first commercial drone, purpose-built to integrate with its powerful Alpha and FX series cameras. For filmmakers, it looked like the perfect bridge between ground and air—one camera system, one brand, fully native.

But as many of us would learn, building a professional camera platform doesn’t automatically translate into building a professional aerial system. The Sony Airpeak S1 drone, while sleek and ambitious, ended up being a case study in unmet potential.



Sony Airpeak S1 drone flying at sunset above treetops, capturing cinematic aerial shots

The Promise of the Sony Airpeak S1 Drone

Sony came out swinging with a spec sheet that caught attention:

  • Custom carbon fiber frame

  • Top speed of 55 mph

  • Payload capacity of up to 2.6 kg

  • Compatibility with Sony Alpha cameras (A7S III, FX3, A1)

  • Obstacle detection using stereo and IR sensors

  • Gremsy gimbal integration

  • Optional RTK module support

Sony’s message was clear: Airpeak was for professionals. It wasn't a toy. It was a high-performance aircraft aimed at studios, creators, and production companies that already used Sony gear.

And for companies like ours—already invested in the Sony camera ecosystem—it seemed like a smart move.



Close-up of Sony Airpeak S1 drone mid-flight with mounted cinema camera for professional aerial filming

What the Airpeak S1 Got Right


The drone wasn’t without strengths. In fact, it did a few things impressively well:

  • The Airpeak was fast, agile, and stable in flight.

  • It offered beautiful image quality when paired with an FX3, A1 or A7R series.

  • The industrial design and build quality felt premium.

  • In ideal conditions, it performed cinematic maneuvers with precision.

But even with all that, it struggled where it mattered most.






Sony Airpeak S1 drone flying low over open field with mounted cinema camera, ready for action shots

The Problems That Grounded the Airpeak S1

Despite the potential, several core issues kept the Airpeak from succeeding in professional workflows:

1. Short Flight Time

With a full-frame camera, lens, and gimbal, most real-world flights barely reached 9–10 minutes of usable air time. That’s with two batteries. In high-pressure production environments, that’s simply not viable.

2. Cumbersome Gimbal Setup

There was no native gimbal. You had to install a Gremsy T3 or T3V, which made setup slower, required third-party firmware updates, and didn’t support true plug-and-play operation. Everything felt stitched together rather than unified.

3. Limited Workflow and App Support

Sony’s Airpeak Flight and Airpeak Base apps were functional but shallow. Important features like precise geofencing tools, robust waypoint planning, and advanced camera controls were either underdeveloped or missing. The ecosystem felt like it was still in beta.

4. Lack of Trust in Production Environments

Most importantly: no one knew the platform. Clients and crews weren’t confident in its reliability. Everyone asked the same thing: “Why not just use DJI?”



Rob Watt prepares Sony Airpeak S1 with cinema camera for flight on a sunny shoot day

Why We Eventually Let Go of the Airpeak

We purchased the Airpeak S1 for a major commercial campaign for the new Sony Bravia TV, hoping it would become a long-term addition to our fleet. But it quickly became clear that it just didn’t belong on fast-paced, high-pressure sets. The drone was clunky to set up, inefficient to operate, and lacked the confidence needed for day-in, day-out use.

We waited nearly two years—hoping for firmware updates, ecosystem improvements, and better support from Sony. But progress stalled. Then came the DJI Inspire 3, and any remaining hope we had for the Airpeak disappeared.




DJI Inspire 3: The Fully Realized Ecosystem the Industry Needed

The DJI Inspire 3 wasn’t just a better drone—it was a complete aerial cinematography system. It came equipped with:

  • A full-frame Zenmuse X9 camera, capable of 8K and ProRes RAW

  • Built-in RTK positioning for centimeter-level accuracy

  • Native dual-op support, with seamless gimbal and focus control

  • Flight times up to 25 minutes with full payload

  • Fully integrated Netflix-approved workflows

It worked. Out of the box. Every time.

The Inspire 3 quickly became the standard for high-end drone cinematography. And by comparison, the Airpeak felt like a first draft.

Eventually, we sold the Airpeak—at a loss. Not because it was broken, but because the industry had already moved on.

Wolfgang Weber calibrates Sony Airpeak S1 gimbal during preflight prep on pavement

Sony Suspends Airpeak Production

In March 2024, Sony formally suspended development of the Airpeak S1, citing a need to reallocate resources and evaluate demand. The drone disappeared from most retailers, and updates became scarce.

“Due to market circumstances and prioritization of resource allocation, we have decided to temporarily halt production of the Airpeak S1…” —Sony, March 2024

It was a quiet end to what once felt like the beginning of a revolution.


Final Thoughts on the Sony Airpeak S1 Drone

The Sony Airpeak S1 drone was not a scam, a prototype, or a hobbyist toy. It was a genuine effort by one of the world’s leading imaging brands to enter the drone space. But while it had promise, it never fully matured.

It wasn’t fast enough to adapt. It wasn’t strong enough to compete. And in an industry that demands reliability, speed, and ecosystem trust, the Airpeak simply couldn’t keep up.

We wanted it to succeed. But in the end, Sony built a beautiful drone that arrived half-finished—and the industry moved on without it.


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 

DJI Inspire drone in use during production, subject to DJI drone ban 2025 investigation
Dji Drone Ban 2025 Investigation

The U.S. government has launched a formal national security investigation into imported drones, and two names are front and center: DJI and Autel Robotics. With DJI holding a dominant share of the U.S. commercial drone market, this probe could mark the beginning of serious regulatory shifts.


The term DJI drone ban 2025 isn’t just media hype, it’s now a very real possibility under review by the Department of Commerce. For drone operators, production companies, public safety teams, and content creators, the implications are hard to ignore.


DJI Drone Ban 2025: Why the U.S. Is Targeting Chinese Drone Imports

On July 15, 2025, the Department of Commerce confirmed it had initiated a formal Section 232 investigation into whether imported unmanned aircraft systems (UAS), specifically those made by DJI and Autel, pose a threat to U.S. national security.

This follows growing concerns in Washington over:

  • Cybersecurity: The potential for foreign-built drones to collect sensitive data and transmit it abroad

  • Supply chain dependence: Overreliance on drones made in China, with DJI accounting for more than 70% of the U.S. market

  • Unfair pricing and trade practices: Chinese government subsidies that undercut American drone manufacturers


U.S. Commerce Department Seeks Public Input

In an official notice published in the Federal Register on July 16, 2025, the Department of Commerce invited public comments to inform the investigation.

You can download the full PDF of the notice below:


Federal Register Notice – Section 232 UAS Investigation (PDF)


Key issues the Department wants input on include:

  • Whether domestic drone manufacturers can meet U.S. demand

  • How foreign subsidies affect drone pricing and availability

  • What risks exist from relying on a small number of foreign suppliers

  • Whether foreign-made drones could be exploited for surveillance or sabotage


Deadline to submit comments: August 6, 2025 Submit online: www.regulations.gov

Search ID: BIS-2025-0059Reference: XRIN 0694-XC130


If you're a drone professional or business owner, this is your opportunity to weigh in before potential bans, tariffs, or policy shifts go into effect.


What the DJI Drone Ban 2025 Could Mean for Drone Professionals

If the Section 232 investigation concludes that DJI and Autel pose a national security risk, the government could take serious action, including:

  • Tariffs on DJI and Autel imports

  • Banning new DJI models from U.S. markets

  • Restricting public agencies from using foreign-built drones

  • Blocking firmware updates and app access


This would have a direct impact on production teams, real estate firms, agricultural consultants, and first responders who rely on DJI gear for daily operations.

At AIRWOLF Drones, we fly DJI’s Inspire 3 and Mavic 3 Cine nearly every week. If those tools are limited or banned, it will change how we approach projects, budgeting, and long-term planning.




Are There U.S.-Made Replacements Ready?

Several American drone companies, Skydio, Freefly Systems, and BRINC Drones—have emerged in response to national security concerns. However, none yet match DJI’s combination of performance, workflow compatibility, and price point, particularly for cinema-grade operations.

Most domestic drones to date:

  • Lack interchangeable high-end payload options

  • Offer shorter flight times than DJI’s flagship models

  • Are less compatible with established cinema workflows

  • Are more expensive overall

  • Are not pre-approved by major studios or streaming platforms like Netflix and Hulu


There was high hope placed in Sony’s Airpeak S1, a full-frame Alpha-compatible drone with strong specs and integration potential. Unfortunately, Sony has discontinued the Airpeak S1, ending sales March 31, 2025, and gradually discontinuing accessories and software support 

The Sony exit removes what many saw as a serious contender to DJI, a blow to hopes for an ecosystem-ready U.S.-aligned alternative.



While the U.S. government has committed over $20 billion to foster domestic drone R&D and production, it will still be several years before these efforts translate into scalable, studio-grade replacements.


How to Prepare for the DJI Drone Ban 2025

Here’s what drone operators and business owners should do now:

• Inventory your current DJI fleet

Order critical spare parts, props, cables, chargers, before any new trade restrictions are imposed.

• Test other systems

Start flying NDAA-compliant platforms. Even if they don’t yet match DJI’s performance, you’ll need to learn what they can do.

• Watch federal updates closely

Stay connected with FAA announcements, BIS investigations, and FCC rulings. Things could move quickly.

• Talk to your clients

Let them know that while tools may change, your commitment to safety, storytelling, and excellence won’t.

• Submit a public comment

Make your voice heard before decisions are made. Regulators need to hear from people on the front lines of drone use.


Final Thoughts: The DJI Drone Ban 2025 Is a Turning Point

Whether or not DJI is banned in 2025, the industry is already changing. Policies, supply chains, and public trust are under review, and that has implications for every drone business in America.


At AIRWOLF Drones, we’re not just watching this unfold, we’re preparing. We're adapting our tools, studying our alternatives, and staying engaged in the process.

If you rely on drones for your livelihood, now’s the time to pay attention, and speak up.


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 
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