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FLIGHT LOG

The Flight Log provides an in-depth look at AIRWOLF Drones' work in aerial cinematography. Featuring behind-the-scenes breakdowns, client highlights, press features, and technical insights, it showcases the precision and expertise that go into every job.

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Cowboys on horseback with lassos ride alongside running horses across golden grassland, with mountains behind them and the title “AIRWOLF — 250 STRONG.

For this Montana drone cinematography production, the AIRWOLF team traveled across the state to provide aerial coverage for Boot Barn’s 250 Strong campaign. From athletes and horses in action to the vast Montana landscapes surrounding them, we captured cinematic aerial imagery designed to showcase both the scale of the locations and the powerful stories behind the campaign.


To mark America’s 250th anniversary, Boot Barn launched 250 Strong — a campaign honoring the strength, determination, resilience, and endurance that have helped define the nation over the past 250 years. The campaign connects that history to the present through a group of athletes who embody those qualities today.


The 250 Strong campaign features professional basketball player Bruce Brown, rodeo athlete and rancher Catherine Edwards, professional football player Jarquez Hunter, Mason Reiger, College Tennis Player Elise Robbins, and Olympic swimmer Alex Walsh. While each comes from a different competitive background, they share the grit, work ethic, and determination at the heart of the campaign.


Montana Drone Cinematography with the Inspire 3 and X8 Cinelifter

Our primary aerial platforms were the DJI Inspire 3 and our custom X8 heavy-lift cinelifter carrying a Freefly Ember cinema camera.


Custom-built X8 cinelifter with Freefly Ember camera and Cooke SP3 18mm
Custom-built X8 FPV drone

The Inspire 3 gave us the ability to move quickly between locations and focal lengths while maintaining the image quality needed for a national commercial campaign. Once again, our favorite lens ended up being the Viltrox DL 90mm. We've become huge fans of longer lenses for aerial cinematography. Rather than relying on the traditional ultra-wide drone perspective, the 90mm compresses the landscape and pulls distant backgrounds toward the subject.

In Montana, that meant being able to place athletes and horses against huge mountain landscapes while still creating an intimate, cinematic frame. We also brought out our custom built X8 for a very different type of shot. We flew our Freefly Ember with a Cooke SP3 18mm cinema lens.


Cowboys riding alongside horses across Montana grassland for Boot Barn’s 250 Strong campaign
Freefly Ember + Cooke SP3 18mm

Between the custom aircraft, cinema camera, Cooke glass, video transmission, batteries, and supporting equipment, it's an expensive package to send into the air — but it's also exactly why we've continued developing our heavy-lift platform. It gives production another option when a shot needs the movement of a custom drone while maintaining a cinema-camera and cinema-lens workflow.


The Challenges of Montana Drone Cinematography

Montana gave us incredible images, but getting them required a lot of work behind the scenes.

The days were long, the temperatures were extremely hot, and locations could be separated by significant drives. That meant constantly transitioning from filming to packing equipment, driving, unloading, rebuilding camera packages, checking aircraft, and getting everything ready for the next shot. Then there were the horses.


Working with animals changes the entire rhythm of a production because you can't count on unlimited identical takes. Our time with the horses was limited, and there were situations where the first pass needed to be the shot. Before they started moving, we needed to know our aircraft position, lens choice, framing, flight path and timing. There wasn't always an opportunity to watch a rehearsal and figure it out afterward. When everything was ready, you committed.

That pressure becomes a little more noticeable when you're flying an Inspire 3 — and considerably more noticeable when you're sending a Freefly Ember and Cooke SP3 into the air underneath a custom-built X8.


STILLS OF OUR SHOTS

  • Rodeo athlete Cathrine Edwards rides a dark horse across a grassy hillside beneath a rugged mountain and a partly cloudy sky.
    Rodeo athlete Cathrine Edwards celebrates America’s adventurous spirit for USA 250.
  • Rodeo athlete Cathrine Edwards and basketball player Bruce Brown share an American adventure for USA
  • A group of riders in cowboy hats rides across a sunlit grassy field, with mountains and dramatic clouds behind them.
    Riding together in celebration of America’s adventurous spirit for USA 250.
  • Toward the next horizon, together. Celebrating USA 250.
  • The spirit of adventure rolls on. Celebrating USA 250.
  • Rodeo athlete Catherine Edwards rides into the USA 250 celebration.



An Incredible Crew Behind Boot Barn's 250 Strong

USA 250 production crew poses in a grassy meadow in Montana, holding an American flag, with rolling hills and mountains in the background.



Aerial DP Rob Watt and drone pilot Wolfgang Weber operating controllers on the Montana set.
Aerial DP Rob Watt (Left) & Drone Pilot Wolfgang Weber (Right)

None of what we captured in Montana happened in isolation. This was a production where every department had to work together, especially when locations, weather, animals and daylight dictated how much time we actually had to get a shot.

The production was led creatively by Creative Directors Brodie Sweeney and Laura Hill, with Clifton Askew producing, Kyle Frey managing production, and Sarah King overseeing creative operations. Production Assistants Megan Hansen, Dylan Woodford and Fabian Larrea kept an ambitious schedule moving across Montana, with Jimmy Beckland supporting the crew as Medic.

On the camera side, Cinematographer Taylor Finlay helped shape the visual language of the campaign alongside 1st AC Eric Gauntt, while photographers Dana Pennington and Jerry Serpell-Morris captured the campaign from the ground.


Film crew preparing a pickup truck scene in a grassy Montana meadow, with a dog in the truck bed.

For the aerial work, Aerial DP Rob Watt worked alongside drone pilot Wolfgang Weber, using the DJI Inspire 3 and our custom X8 cinelifter to translate that same visual direction into the air. Having that communication between the cinematography and aerial teams was especially important when we were working with horses and sometimes only had one opportunity to capture a particular movement. Janae Gonzalez handled social content throughout the production, while Stylist Madeline Hansen and Assistant Stylist Delan Murillo helped create the look of the campaign in front of the camera.



Cinematographer Taylor Finlay filming a performer inside a pickup truck.
DP Taylor Finlay

It was a true team effort, and that became especially apparent during the final hours of the shoot. After days of extreme heat, long drives and constantly moving between locations, we lined up for the very last shot of the production. We got the aircraft in position, captured the shot and landed. Then Montana decided we were done. Almost immediately, the wind picked up and rain began moving across the location. After spending the production working around tight windows with athletes, horses, locations and weather, we had managed to get the final shot just in time. It couldn't have been a more fitting ending.



Director Brodie Sweeney beside a drone landing pad in a Montana field beneath cloudy skies.
Director Brodie Sweeney



The Boot Barn 250 Strong campaign is ultimately about strength, determination and the people who embody those qualities. From our perspective behind the camera, it took an incredible group of people working together to bring that idea to life.


And that's probably what we'll remember most about Montana.






CHECK OUT THE FULL VIDEO


Follow @airwolf_drones and @boot_barn_official for more behind-the-scenes content, exclusive footage, and future collaborations that continue to celebrate the real American grit behind the lens.


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Listen to Getting Made

Want to hear more about what goes on behind the camera? Check out Getting Made, a filmmaking podcast exploring the people, stories, and experiences behind working in the film and television industry.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 
Florida drone production filming a monster truck mud shoot and airboat with professional aerial cinematography.

For AIRWOLF Drones, 2026 has already given us the opportunity to showcase just how diverse Florida drone production can be.

This year, our Florida projects (just to name a few) have included a one-week Boot Barn production in Perry, an action-driven commercial campaign for the Tampa Bay Rays, and a Meta commercial featuring young automotive entrepreneur Riley of Riley's Rebuilds in Bradenton.

Three productions. Three completely different environments. One state. And a lot of time in the air.


Florida Drone Production Across Three Completely Different Campaigns

Being based on Florida's Gulf Coast gives AIRWOLF Drones the ability to support productions throughout the state with professional aerial cinematography, DJI Inspire 3 operations, FPV drones, and specialized heavy-lift drone systems. More importantly, we're accustomed to working as part of larger commercial production crews where aerial isn't simply about getting a beautiful establishing shot. The drone becomes another camera in the production package.

That was especially true on our first major Florida project of the year.


Boot Barn — “Till the Wheels Fall Off” | Perry, Florida

Our first project took us north to Perry, Florida, for Boot Barn's “Till the Wheels Fall Off” campaign. Boot Barn describes the campaign with a pretty fitting line: “This ain't one of them summers for slowing down.” Neither was this shoot. The first day brought us to Iron Horse Mud Ranch, a massive 500+ acre off-road property outside Perry known for mud bogging, off-road trails, freestyle areas, and some seriously capable trucks. Our job was to put the audience into that environment from the air.


  • Monster truck at Iron Horse Mud Ranch during a professional Florida drone production shoot.
    Monster truck production shoot at Iron Horse Mud Ranch in Perry, Florida.
  • FPV drone shot of an off-road truck racing on a dirt road during a Florida commercial production.
    Off-road truck action filmed on location in Florida for a commercial production.
  • FPV drone shot of a Jeep from a commercial production filmed on location in Florida.
    FPV drone shot from the commercial, capturing the action up close on location in Florida.

Using the DJI Inspire 3 alongside our FPV drone systems, we were able to approach the action from two very different perspectives. The Inspire 3 gave production the polished, cinematic aerial imagery expected from a national commercial campaign, while FPV allowed us to get aggressive and move with the action as monster trucks powered through the Florida terrain.


Day two couldn't have looked more different. We traded mud, horsepower, and monster trucks for airboats on the Wacissa River, one of North Florida's beautiful spring-fed waterways. Following moving subjects over water presents an entirely different set of challenges from filming on a controlled property. It requires careful planning, communication, positioning, and the ability to adapt quickly as boats, camera teams, sunlight, and conditions constantly change.


  • Florida drone production crew filming an airboat commercial on location with professional aerial cinematography.
    On location in Florida capturing aerial footage for a commercial production.
  • Aerial drone shot of an airboat speeding through a Florida waterway during a commercial production.
    Aerial drone cinematography following an airboat through the Florida landscape.
  • Aerial drone shot of an airboat speeding through a Florida waterway during a commercial production.
    Aerial drone cinematography following an airboat through the Florida landscape.
  • Close aerial drone shot of an airboat traveling through a Florida waterway during a commercial production.
    Airboat action captured during a commercial drone production in Florida.
  • Overhead drone shot of an airboat speeding through Florida wetlands during a commercial production.
    High-speed aerial drone shot of an airboat cutting through the Florida wetlands.
  • Top-down drone shot tracking an airboat at high speed during a Florida commercial production.
    Precision aerial cinematography tracking an airboat at speed through Florida waterways.


Check out the full commercial



Tampa Bay Rays — “Light It Up” with Chappell Roberts


Tampa Bay Rays Light It Up commercial featuring aerial drone cinematography over the Sunshine Skyway Bridge in Florida.

Our next Florida production brought us back to Tampa Bay to work on the Tampa Bay Rays “Light It Up” campaign alongside Tampa’s own Chappell Roberts. The campaign captured the energy of Tampa Bay baseball—the players, the fans, the city, and the moments that make a Rays game feel bigger than a single play. For AIRWOLF Drones, that meant bringing both DJI Inspire 3 aerial cinematography and FPV drone filming to a production rooted in a place we know well.


Director Matt Boswell of Chappell Roberts discusses an FPV drone shot beside the waterfront for the Tampa Bay Rays’ ‘Light It Up’ commercial.
Chappell Roberts Director Matt Boswell talking about the FPV shot.

Our work took us across some of Tampa Bay’s most recognizable locations, including Tropicana Field, the Sunshine Skyway Bridge, the Howard Frankland Bridge, and the Sykes building in downtown Tampa. Those locations connected the campaign to both the game and the surrounding community. Tropicana Field brought the focus directly to Rays baseball, while the bridges and skyline placed that story within the wider Tampa Bay landscape.


Each location offered a different opportunity for camera movement. At Tropicana Field, we captured aerial perspectives of the ballpark. The bridges gave us room to show the scale of the bay, with long spans stretching across open water. Downtown, we brought a different intensity with an FPV dive down the Sykes building. Moving between the ballpark, expansive waterfront views, and a fast vertical descent gave us contrasting perspectives suited to the campaign’s “Light It Up” energy.


FPV Drone Shot of Sykes Building in Downtown Tampa Bay
FPV Drone Shot of Sykes Building in Downtown Tampa Bay
Downtown Tampa Bay - Shot on Inspire 3

Working on a Tampa Bay Rays campaign was especially meaningful because AIRWOLF Drones is a Florida-based company. We travel throughout the United States for commercial productions, but filming close to home brings a different kind of connection. These are places we recognize, roads and bridges we travel, and a skyline we’ve watched from the ground long before photographing it from the air.


CHECK OUT THE COMMERCIAL


Florida Drone Production for Meta and Riley's Rebuilds

Our third Florida project took us to the Freedom Factory racetrack in Bradenton, where AIRWOLF flew the DJI Inspire 3 for a Meta commercial featuring Riley of Riley’s Rebuilds.


Riley Rebuilds - Drone Shot for Meta
Riley Rebuilds - Drone Shot

Riley began rebuilding carburetors as a teenager to help pay for her first vehicle. As her work gained attention online, a garage project grew into a business, with friends joining her to keep up with demand. Her story brings together hands-on automotive craftsmanship and the reach of social media—a fitting combination for a Meta commercial.


Behind the Scenes of Riley Rebuilds drone shoot
Behind the Scenes of Riley Rebuilds


The Freedom Factory gave the shoot a setting grounded in that same automotive culture. We used the Inspire 3 to capture the racetrack from above, establishing the location and giving the edit a wider perspective to complement the ground footage. This assignment called for deliberate, controlled camera movements, so we stayed with the Inspire 3 throughout our aerial work.


After productions in Miami and Tampa Bay, wrapping this stretch of Florida work in Bradenton brought us close to home. It was an opportunity to contribute to a national brand’s commercial while filming a local business owner in a familiar part of our own community.



CHECK OUT THE COMMERCIAL 



Why Productions Coming to Florida Work With AIRWOLF

Successful aerial cinematography starts with understanding the shot—how the camera should move, what the light is doing, and how the footage will serve the story. It also takes close coordination with directors, DPs, and producers, supported by thorough airspace planning, permitting, and attention to safety.


AIRWOLF Drones brings that approach to commercials, television, automotive campaigns, sports, branded content, and live broadcasts. We work with each production to develop an aerial approach that fits its creative direction, location, and schedule.

The projects featured here represent just a portion of our work across Florida. We’ve also supported additional shoots in Miami, broadcast coverage of competitive rowing in Sarasota, the CrossFit challenge in Miami, and filming with Mag Bay Yachts in Jupiter. Those assignments span carefully planned commercial shots, fast-moving competition, and marine production, each requiring a different approach to capturing the action.


Mag Bay Yachts
Mag Bay Yachts Blog (Click image)

Based on Florida’s Gulf Coast and working nationwide, we bring production experience and local knowledge to the set, whether the assignment is close to home or takes us across the country.


Bringing Your Next Production to Florida?

If you're a production company, agency, producer, director, or cinematographer planning a shoot in Florida, AIRWOLF can provide a local, production-ready aerial team capable of everything from precision DJI Inspire 3 cinematography to high-speed FPV and custom heavy-lift drone operations.


Planning a production in Florida? Contact AIRWOLF Drones to discuss aerial cinematography, FPV, and drone production anywhere in the state.


Mag Bay Yachts - Shot on Inspire 3



Check out our shots and behind the scenes of our shoot with Tampa Bay Downs


Check out our Blog about broadcasting Wodapalooza in Miami Beach (Click it)

Wodapalooza Miami Beach

Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Listen to Getting Made

Want to hear more about what goes on behind the camera? Check out Getting Made, a filmmaking podcast exploring the people, stories, and experiences behind working in the film and television industry.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 
Underground Drone Cinematography inside Vermont's Danby Marble Quarry filmed with the DJI Inspire 3 nearly 2,000 feet below the surface.

The History Behind Vermont’s Danby Marble Quarry

Underground Drone Cinematography inside Danby Marble Quarry as a massive loader moves marble deep beneath Vermont’s mountains.

Some productions take you to beautiful places. Others take you somewhere few people on earth will ever experience. Recently, AIRWOLF had the opportunity to capture aerial footage nearly 2,000 feet underground inside the legendary Danby Marble Quarry for a Boot Barn Work campaign focused on the hardworking crews who keep the quarry operating deep beneath Vermont’s mountains. This type of underground drone cinematography requires an entirely different level of preparation compared to traditional outdoor aerial filming.


The Danby Quarry is not just another industrial location. It is the world’s largest underground marble quarry, filled with enormous chambers, winding tunnels, massive loaders, and marble walls that disappear into darkness.


The history of the quarry dates back to the 1800s, with underground mining operations beginning in the early 1900s. Over the decades, Danby marble has been used in iconic American landmarks including the Jefferson Memorial and portions of the U.S. Supreme Court building.


Driving into the quarry feels surreal. You descend through a tunnel carved directly into the mountain before emerging into an underground world where giant slabs of marble are still extracted every single day.


The scale underground is difficult to fully understand until you experience it in person. Massive equipment moves through cathedral-sized chambers while crews work beneath thousands of feet of solid rock overhead.


Projects like this are exactly why the Boot Barn Work article on the quarry resonated with so many people. It shines a light on an industry most people never get to see and the workers whose effort helps build America from the ground up.


Underground Drone Cinematography Without GPS


DJI Inspire 3 test flight inside Danby Marble Quarry during an Underground Drone Cinematography scout nearly 2,000 feet below the surface.

Flying a drone underground is completely different from flying outdoors.

Once you descend deep enough inside the quarry, GPS disappears entirely. There are no satellites, no positioning assistance, and no safety net. The aircraft must rely on onboard sensors, vision positioning systems, lighting conditions, and constant pilot input to maintain stable flight. Most drone pilots rely heavily on GPS stabilization without even realizing it. Underground, everything changes. Flying inside an active marble quarry introduces serious complications that most drone operators will never encounter.


Signal Interference

Rock, steel, heavy equipment, and the mountain itself can interfere with transmission signals. Maintaining a reliable connection becomes critical when flying deep inside underground chambers.



Low Light Conditions

Many sections of the quarry are extremely dark. Limited lighting can affect obstacle sensing systems and visual positioning performance, increasing the difficulty of stable flight.


Dust and Air Quality

Quarries are active industrial environments. Dust, moisture, and airborne debris can reduce visibility and impact equipment performance.


Confined Spaces

Unlike outdoor environments, underground operations involve tight access points, moving machinery, uneven terrain, cables, and very limited room for error.


Navigation Challenges

Underground tunnels can quickly become disorienting. Maintaining awareness of aircraft position while coordinating with ground crews is critical during every flight.

This is not the type of environment where you simply launch and improvise.

Every shot required planning, communication, and complete confidence in both the equipment and the crew.


The Equipment Behind the Flights


Preparing the DJI Inspire 3 for Underground Drone Cinematography inside Danby Marble Quarry during a pre-production scout nearly 2,000 feet below the surface.

For this project, AIRWOLF used the DJI Inspire 3 as the primary aerial platform.

The Inspire 3 gave us the cinematic image quality and low-light performance needed to properly capture the scale and atmosphere of the underground marble quarry while still maintaining precise flight control in an extremely challenging environment.


Before production officially began, we conducted a dedicated scout day underground to evaluate how the aircraft would respond inside the quarry. During the scout, we intentionally flew the Inspire 3 without the X9 camera payload attached. This allowed us to safely test the aircraft’s behavior in a GPS-denied environment before introducing the full cinema package into the operation.


Successfully pulling off underground drone cinematography inside an active marble quarry required extensive planning, testing, and coordination between the flight crew and production team. The scout flights helped us evaluate signal reliability, aircraft stability, vision positioning performance, and overall flight confidence deep underground.


Once filming officially began, we mounted the full DJI X9 camera system and captured cinematic aerial shots throughout the quarry’s massive underground chambers. The Inspire 3 performed exceptionally well underground, especially considering the difficult lighting conditions and complete lack of satellite positioning.


The Crew Behind the Underground Experience


Production crew, quarry workers, and AIRWOLF Drones team during an Underground Drone Cinematography project at Danby Marble Quarry in Vermont.

Projects like this only happen because of a strong crew willing to adapt to difficult environments and constantly changing conditions.


The Boot Barn Work production team brought together an incredible group of creatives and technicians who helped bring the story of the quarry to life. The project included Creative Director Alex Esparza, Producer Tyler Hampson, Cinematographer Max Aldrich, photographers Dana Pennington and Derrick Pham, stylist Madeline Hansen, BTS coverage by Danielle Bartley, audio by Jared Payzant and sculpture Sebastian Piazza. AIRWOLF handled aerial operations with Wolfgang Weber as pilot and Aerial DP Rob Watt.


One of the most impressive parts of the experience was watching the quarry workers themselves operate inside this environment every single day. Massive machinery moved through underground tunnels with incredible precision while normal quarry operations continued around an active film production.


The collaboration between the production crew and the quarry workers was essential. Underground environments leave very little room for mistakes, especially when coordinating heavy equipment, moving crews, limited lighting, and aerial operations all at the same time.


Everyone involved helped create something visually unique while maintaining a strong focus on safety and efficiency throughout the project.


SOME BEHIND THE SCENES

  • Taking in the scale of the quarry.
  • Planning the next shot underground.
  • The Inspire 3 ready for takeoff.
  • One of the many tunnels connecting the enormous underground chambers inside Danby Marble Quarry.
  • Exploring the marble processing area.
  • Reviewing the day's coverage.
  • Before heading underground.
  • Documenting life beneath the mountain.
  • Deep inside Danby Quarry.
  • Getting a closer look.
  • Capturing the moments between shots.
  • Few people understand marble quite like sculptor Sebastian Piazza. Standing deep inside Danby Quarry
  • Wolfgang Weber and Rob Watt inside Danby Marble Quarry nearly 2,000 feet underground

The Hard Work Behind the Marble Industry

One of the biggest takeaways from filming underground was gaining a deeper appreciation for the people who work there every day.


The crews inside Danby Quarry operate in one of the most demanding industrial environments imaginable. Safety, communication, and precision are critical at every stage of the operation.

Watching workers cut, move, and process enormous slabs of marble underground was incredible to witness firsthand.


There is a level of toughness and craftsmanship required for this type of work that deserves recognition. These are the people responsible for extracting materials that eventually become buildings, monuments, architecture, and infrastructure across the country. Capturing that story from the air added an entirely new perspective to the project.


Why Underground Drone Cinematography Matters

For AIRWOLF, projects like this are about more than cinematic visuals. They are about telling stories from places most people will never experience themselves.


Flying 2,000 feet underground inside a marble quarry pushes both technology and pilot skill to the limit, but it also creates imagery that feels impossible until you see it on screen.

The combination of industrial history, underground environments, skilled workers, and cinematic aerial movement made this one of the most unique drone operations we have ever been part of. And honestly, stepping into a mountain with an Inspire 3 and flying through a living, breathing underground quarry is something we will never forget.


CHECK OUT SOME OF OUR SHOTS


Final Thoughts From Beneath the Mountain

The Danby Marble Quarry represents a hidden side of American industry that deserves attention. Beneath Vermont’s mountains, crews continue a tradition that has been operating for more than a century while supplying marble used around the world.


Being trusted to document that environment from the air was an incredible experience for AIRWOLF Drones and a reminder of how powerful aerial cinematography can be when paired with real human stories.


From navigating GPS-denied environments to flying through enormous underground chambers, this project challenged every part of the filmmaking process in the best possible way.

Sometimes, the most cinematic places on earth are the ones hidden deep underground.


CHECK OUT THE FINAL VIDEO


Follow @airwolf_drones and @bootbarnwork for more behind-the-scenes content, exclusive footage, and future collaborations that continue to celebrate the real American grit behind the lens.


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Listen to Getting Made

Want to hear more about what goes on behind the camera? Check out Getting Made, a filmmaking podcast exploring the people, stories, and experiences behind working in the film and television industry.


Work With Us

Whether you're producing a commercial, series, broadcast or branded shoot, we bring industry-level drone cinematography to every set.


Serving productions across Florida and nationwide — including Sarasota, Miami, Tampa, Orlando, Los Angeles, Atlanta, and Austin.

 
 
 
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