top of page
i3 Banner.jpg

The Flight Log provides an in-depth look at AIRWOLF Drones' work in aerial cinematography. Featuring behind-the-scenes breakdowns, client highlights, press features, and technical insights, it showcases the precision and expertise that go into every job.

Subscribe to our Flight Log to receive updates!

Thanks for submitting!

All Posts

Dji Inspire 3 hovering in the air
Dji Inspire 3

The DJI Squeeze: How U.S. Film Drone Providers Are Getting Grounded in 2025


DJI Ban and Its Impact on Drone Companies in the Film Industry

If you've tried to buy, rent, or repair a DJI drone in the United States recently, you’ve probably noticed something troubling: they’re nowhere to be found. DJI, the most widely used drone brand in professional film and television, is facing major import disruptions that are now affecting drone providers across the U.S.

Despite widespread belief, DJI is not officially banned in the U.S.—yet. However, ongoing customs enforcement actions and looming legislation have created a supply chain bottleneck that has grounded many drone operators, especially in the film industry.


Dji's current website if you're browsing from the US.
Dji's current website if you're browsing from the US as of (7/14/2025)

Why Are DJI Drones Unavailable in the U.S.?

The core of the problem stems from U.S. Customs and Border Protection (CBP) enforcing the Uyghur Forced Labor Prevention Act (UFLPA). DJI drones, although manufactured in Shenzhen and Malaysia, have been detained or delayed at U.S. ports due to suspicions of supply chain links to China’s Xinjiang region.


DJI denies the allegations, but the result is the same: delays in shipments, lack of inventory, and major gaps in parts availability. Drone retailers like B&H, Adorama, and Best Buy have reported extensive stockouts, and newer models, like the Mavic 4 Pro, have yet to reach U.S. customers at all.


The DJI Squeeze: How Drone Providers in the Film Industry Are Being Affected


Film Drone Companies Hit Hard by DJI Restrictions

For drone companies that serve the film and television industry, the DJI squeeze is more than an inconvenience, it’s a business threat. Systems like the DJI Inspire 3 have become essential tools for capturing high-end cinematic content. They’re capable of shooting 8K RAW, handling interchangeable lenses, and integrating seamlessly with industry-standard color pipelines.

Many drone providers have made significant financial investments into DJI platforms, often spending $15,000–$20,000+ per Inspire 3 kit, not including backup parts and accessories. These aren’t side hustles, they’re core production assets.

Now, without access to new drones or even basic repair parts, companies are being forced to ground aircraft, delay jobs, or make difficult decisions about safety and reliability.


Safety Risks from Lack of Access to DJI Parts and Repairs


How the DJI Squeeze Creates Maintenance and Safety Concerns for

Film Sets

Even the most advanced drones require regular maintenance. Batteries degrade, motors fail, gimbals get damaged and without access to manufacturer parts, routine service becomes impossible. This puts drone companies in a precarious position: do they delay shoots, or fly equipment that may not be 100% safe?

For film and commercial production environments, that’s not a question you want to be asking on set.

The current parts shortage is creating a new kind of risk, one that compromises safety, increases liability, and jeopardizes the integrity of production timelines. For drone providers, it’s a daily juggling act, trying to stay in the air without cutting corners.


DJI Ban Rumors: What the Future Holds

Will DJI Be Officially Banned in the U.S.?

As of now, DJI is not banned, but legislation is moving in that direction. Under the FY2025 National Defense Authorization Act (NDAA), DJI will be subject to a national security review. If this review is not completed by December 23, 2025, DJI could be added to the FCC Covered List, which would block new authorizations and halt future imports.

If that happens, the current shortage will evolve into a full-blown supply crisis.


No Real Alternatives for Film-Grade Drone Work

While there are emerging U.S.-based drone companies, no alternative currently matches DJI’s performance, cost, or cinematic features. Systems from Sony, Freefly, or Inspired Flight either lack the camera integration film sets require, or they come at a price point inaccessible for most small-to-medium-sized operators.

As a result, drone providers in the film industry are locked into the DJI ecosystem, but they’re now cut off from the tools they need to sustain that workflow.


How Film Drone Providers Are Adapting

Many professional drone companies are responding by:

  • Stockpiling DJI batteries, propellers, and cables

  • Seeking third-party or refurbished gear for continuity

  • Enhancing communication with producers about gear risks

  • Scheduling preventative maintenance ahead of time

  • Considering camera car or handheld gimbal alternatives where feasible

But these are short-term solutions to what looks increasingly like a long-term disruption.


Final Thoughts: DJI Ban and the Ongoing Strain on the U.S. Film Drone Industry


What the DJI Squeeze Means for Drone Companies Moving Forward

This isn’t just a story about a supply chain glitch, it’s about the future of aerial cinematography in the United States. For now, DJI is still technically allowed in the U.S., but drone companies are already experiencing the consequences of political uncertainty and customs blockades.

As this article explores, The DJI Squeeze: How U.S. Film Drone Providers Are Getting Grounded in 2025 is more than a headline, it’s a real and growing operational crisis. The film industry relies on precision tools, reliable performance, and consistent availability. With DJI drones stuck at the border and no domestic substitute in sight, aerial production is entering uncharted airspace.


At AIRWOLF, we usually like to keep things positive, sharing behind-the-scenes moments, creative breakthroughs, and what it’s like to fly drones on set. But with the recent DJI supply disruptions, we felt it was important to speak up. This situation isn’t just a headline, it’s something that’s affecting us directly, and we know many others in the industry are feeling it too. If you're facing similar challenges, you're not alone.


If your film or commercial production depends on drones, now is the time to plan ahead—because the DJI squeeze is real, and it’s not going away anytime soon.


Have you been affected by the DJI import situation? Drop your thoughts or workarounds in the comments, we’re stronger together.



Sources & Further Reading



Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 
Polestar 3 LED Headlight
Polestar 3

Electric Power Meets California Coastline: Filming Polestar 3 commercial

Earlier this year, we had the chance to film the new Polestar 3 a beautifully designed, all-electric performance SUV that’s making waves for all the right reasons. To bring this high-end vehicle to life on camera, we hit the road for Pismo Beach, California, with a fleet of drones and a sharp creative team in tow.


Pismo’s coastal and rugged cliffs gave us a dramatic backdrop that perfectly contrasted the Polestar 3’s clean Scandinavian lines. Between the surf, the sand, and the shifting skies, we knew we had something special.


The Polestar 3 cruising through Pismo, California
The Polestar 3 cruising through Pismo, California

Gear Check: Inspire 3 and FPV Drones: Filming the New Polestar 3 with DJI Inspire 3 and FPV in Pismo Beach

For this shoot, we relied heavily on the DJI Inspire 3, which delivered buttery-smooth 8K footage and handled the changing wind and lighting conditions like a pro. It was perfect for wide reveals, beachside tracking shots, and showcasing the Polestar’s elegant form from the sky.

We also deployed our FPV drones to capture dynamic, visceral angles. These nimble setups let us fly low and fast zipping through dunes, orbiting the vehicle, and even tracking a surfer over the water during a rare break in the clouds. That sequence became one of our favorite shots of the day.





Collaborating Behind the Scenes

Drone Pilot Wolfgang Weber and Aerial Cam OP Black Sail Media operating the Dji Inspire 3 in Pismo California
(Left) Aerial Dp: Black Sail Media (Right) Drone Pilot: Wolfgang Weber

One of the reasons this shoot came together so seamlessly was the incredible team behind it. We had the opportunity to collaborate with Modern Luxury and Black Sail Media, whose creative direction and sharp visual instincts pushed us to elevate every frame. Their team came in with a clear vision and a strong aesthetic sensibility, which made aligning our aerial work with the overall look and feel of the campaign a natural fit.


Having Allie King producing on set helped keep the entire day running smoothly. With unpredictable weather, moving vehicles, and tight windows of natural light, production days like this require flexibility and focus. Allie brought both, creating a grounded and upbeat atmosphere that helped the entire crew stay in sync and on pace from first setup to final shot.






Dealing with the Elements: Fog, Rain & Golden Light

Filming along the California coast is always a gamble, and Pismo Beach didn’t make it easy. We had everything from rain and thick marine layer to sudden breaks of golden sunlight. Conditions changed by the minute, forcing us to stay light on our feet and constantly revise flight plans.

The Inspire 3 handled coastal wind and low visibility with ease, and our FPV pilots stayed sharp through every condition. Despite the challenges, the shifting skies actually added a layer of texture and mood to the final visuals that we couldn’t have planned better.



Polestar 3: A Look Toward the Future

Filming along the California coast is always a gamble, and Pismo Beach didn’t make it easy. We had everything from rain and a thick marine layer to sudden breaks of golden sunlight. Conditions changed by the minute, forcing us to stay light on our feet and constantly revise flight plans. But that unpredictability became part of the story.


Filming the new Polestar 3 with DJI Inspire 3 and FPV in Pismo Beach meant adapting in real time, and our gear and team delivered. The Inspire 3 handled coastal wind and low visibility with ease, while our FPV pilots stayed sharp through every shift in weather. Despite the challenges, the ever-changing skies added texture, mood, and drama to the final visuals that we couldn’t have planned better.


Polestar 3 in Pismo Beach, California
Polestar 3 in Pismo Beach California

Closing Thoughts: EVs, Drones, and Coastal Cinematics

At AIRWOLF, we believe in capturing energy, not just images. Whether it's an all-electric SUV cutting through the surf, or a drone racing a wave beside a surfer, our goal is always to push creative limits while staying true to the story.


Thanks to Modern Luxury, Black Sail Media, and Allie King for trusting us to help bring this one to life.


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 

2026 Subaru Outback driving through a desert landscape, dust trailing behind. Roof rack holds camping gear. Sunlit terrain with distant mountains in the background.
2026 Subaru Outback FPV Drone Shot

The all-new 2026 Subaru Outback demands a bold introduction, and AIRWOLF Drones was honored to help make it happen. For the fourth time, we partnered with Subaru and director Anthony Dias to create a visually stunning commercial shot in the dramatic landscape of Utah. With a DJI Inspire 3 and FPV drones in hand, we brought power, motion, and adventure to life, just in time for the vehicle’s debut at the New York Auto Show.


Our Fourth Time Working with Subaru, and It Keeps Getting Better

It’s always a good day when Subaru is on the call sheet. Over the years, we've developed a creative rhythm with their team Damon Productions, and each project feels like an invitation to raise the bar. This fourth commercial was no exception, it challenged us creatively and technically, while letting us showcase what drone technology can really do.



Collaborating Again with Director Anthony Dias

Working with Anthony Dias is a masterclass in visual storytelling. He approaches every project with a clear and intentional vision, knowing exactly how each frame should feel and flow. What makes Anthony truly stand out is his ability to communicate that vision while giving us the creative freedom to fly with purpose. Over the course of several Subaru commercials, we’ve built a strong foundation of trust and collaboration. That trust allows us to push boundaries, experimenting with bold camera movements, dynamic energy shifts, and creative angles that elevate each scene. With Anthony at the helm, every aerial shot becomes part of a larger narrative, not just a beautiful image.



Dji Inspire 3 hovering
Dji Inspire 3

DJI Inspire 3 and FPV: The Gear Behind the Outback Shoot

Filming the 2026 Subaru Outback with DJI Inspire 3 allowed us to achieve dynamic hero shots and landscape reveals, taking full advantage of its 8K 60fps capabilities and advanced dual capablities. To capture the raw energy of the Outback in motion, we paired it with agile FPV drones, perfect for chasing the car through winding roads and tight curves. This dual-drone approach gave the production a unique cinematic feel that would be hard to achieve any other way.



Drone Pilot Wolfgang Weber making a repair on an fpv drone
Drone Pilot: Wolfgang Weber soldering on location in Utah

When Things Go Wrong on Set: Backup Drones and Quick Fixes

Even the most prepared crews run into tech issues—and this shoot was no exception. Early in the day, our alpha FPV quad suddenly stopped responding, and to make things worse, our Crossfire system wouldn’t connect. With no time to troubleshoot, we made the call to switch to our bravo FPV drone to keep production moving. It wasn’t our primary rig, but it got the job done and allowed us to finish flying for the day.

Later, after reviewing the gear, we discovered the culprit: a pulled wire from the flight controller. A quick solder job got us back in business for the next day of shooting. It’s a reminder that in high-pressure, on-location shoots, having backup drones and a calm, problem-solving mindset is just as critical as having the right camera package.


Behind the scenes



Filming in Utah in January: Cold Without Snow

Utah’s rugged terrain was the ideal backdrop, but winter gave us some curveballs. Despite expecting snow, we were met with dry, frozen conditions, and temperatures that dropped well below freezing. The cold affected everything from our drone batteries to pilot dexterity, but we adapted with extra gear prep, battery warmers, and a “get-it-done” mindset. In the end, the conditions helped us capture a raw, authentic look that matched the Outback’s spirit.


CLICK BELOW TO GET YOUR TICKET TO THE NEW YORK AUTO SHOW

New York International Auto

Premiering the 2026 Outback at the New York Auto Show

After weeks of shooting and post, the final commercial premiered at the New York Auto Show, Subaru’s biggest stage for unveiling their latest innovation. Seeing our drone footage help set the tone for a national campaign is one of the most rewarding parts of the job. It reminds us that these aren’t just car commercials, they’re cinematic moments tied to real-world excitement.



Why Drones Like the DJI Inspire 3 Are Essential for Car Commercials

Drones are no longer just “nice to have”, they're essential for storytelling in the automotive space. With the DJI Inspire 3, we can deliver Hollywood-quality footage without cranes, jibs, or helicopters. And with FPV, we unlock perspectives that give the audience a front-row seat to performance. This project proved once again that drones aren’t a trend, they’re the future of filmmaking.



Wolfgang Weber and Rob Watt smile for a selfie in a canyon. They're wearing sunglasses and jackets. Bright sunlight and rocky landscape in the background.
Aerial Dp: Rob Watt (Left) Drone Pilot: Wolfgang Weber (Right)

Pushing Limits with the 2026 Subaru Outback

From the icy backroads of Utah to the bright lights of the New York Auto Show, filming the 2026 Subaru Outback was a journey of grit, precision, and passion. Every frame captured reflected not just the capabilities of the Outback, but the dedication of a team committed to excellence, even in the face of extreme conditions and tight turnarounds. We’re proud to work with brands like Subaru, visionary directors like Anthony Dias, and top-tier production crews like Damon Productions team, who all share a belief in the power of drone cinematography to tell bold, compelling stories. When creativity, technology, and trust align, incredible things happen. Wherever the next road leads, AIRWOLF will be ready to fly higher, faster, and more creatively than ever before.








A COLLECTION OF OUR FAVORITE SHOTS


The all-new 2026 Outack and Outback Wilderness


Support Our Work

If you enjoy the content we share and want to support what we do, you can browse gear we personally use and recommend here:Shop Drone + Camera Tools on Amazon Purchases made through this link help keep us flying — at no extra cost to you.


Work With Us

Whether you're producing a commercial, series, or branded shoot, we bring industry-level drone cinematography to every set.

 
 
 
bottom of page